So, this collection bogs down more than it should, and because its final eight tracks are taken from the Pumpkins past their peak consequently, it's hard to recommend this to anyone who just wants an album with all the hits. Essentially, anything that most listeners will want to hear wraps up 11 tracks into the 18-track album, when the collection dives into material from Adore and MACHINA - two albums that aren't embarrassments, but really only of interest to the hardcore, particularly in how they desperately attempt to embrace the fleeting electronica fad of the '90s (something almost all alt-rock bands did, almost always to no avail). The discography of the Smashing Pumpkins, an American alternative rock band formed in Chicago, Illinois, consists of eleven studio albums, four live albums, one digital live album series, seven compilation albums (including box sets and promotional releases), five extended plays (including promotional releases), 54 singles (including promotional releases), four video albums, 36 music videos. Its main problem is that, like most even-handed compilations, it gives too much credence to the music made after the group's peak, at the expense of some of the group's better material.

Singles - Original Motion Picture Soundtrack Original Motion Picture Soundtrack Others Play Paradise City Season One Soundtrack, Vol. They had more than enough great material for a good compilation, and Greatest Hits almost fits the bill. Albums by Smashing Pumpkins Main Releases Play Rock the Riviera (live) Smashing Pumpkins Play CYR Smashing Pumpkins Play Monuments to an Elegy Smashing Pumpkins. They did for a few years, conquering the alt-rock pack after Nirvana imploded, but the group itself eventually turned in on itself - either because of Corgan's own hubris or the group's complacency. This was a good, even prosperous, situation when the Pumpkins (OK, when their leader, Billy Corgan) could balance their knack for great singles with their desire to make sweeping neo-concept albums like Siamese Dream and Mellon Collie and the Infinite Sadness. Then, after they made it through the indie jungle, they had to fight their way onto MTV airwaves with songs and videos that sold their intricate albums. For one, they rose up through the ranks in indie rock circles, where limited-edition singles on Sub Pop meant as much as a full-lengths on Caroline. The Smashing Pumpkins fit this bill particularly well for two reasons. Like many alt-rock bands, the Smashing Pumpkins sound better than expected as a singles band - probably because their high points were singles, no matter how carefully created their albums were. There are many Smashing Pumpkins fans who think the band's best years ended with 1995's Mellon Collie and the Infinite Sadness.Maybe because when it resurfaced with Adore, its first studio album.

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