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I use a wide Q band when boosting frequencies for the smoothest response, and a narrow Q band when cutting to eliminate the offending frequency without affecting nearby elements.ДЄnd finally, I might apply a mild high shelf, boost or cut of a couple of dBs, if I find the need to get a crisper or darker sound. Next, I'll try to see if there is any unwanted frequency or resonance that needs to be tamed or even eliminated. Small things can make our lives easier and save a lot of time. Better yet, I have created a logic template with my plugins and panning presets that I load any time I start a new session. Tip :В I've created a preset with these filters so that I don't have to set them up every time. I don't want my recordings to have much information that I cannot hear, anyway. There is not much if any classical guitar information at these ranges and most speakers (for home, or even pro-audio) will attenuate these frequencies. Not to say that it can save your wallet from the need of betterВ guitars, microphones and other gear.ДЄ gentle roll-off of the low (below 50Hz) and high frequencies (above 18000Hz) is my starting point.

#2caudio aether how to#

Learning how to use an equalizer correctly can transform a good recording to a world-class one. Filtering, Tone Shaping and Surgical Corrections with the FabFilter Pro-Q 3

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If free options are not for you, iZotope offers the Insight 2 metering plugin at a substantial price, which offers a lot of additional metering tools that can be handy.

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It is a very important tool, and, it is free.ДЄlternativesВ - for those who are on a Mac and use Logic Pro X, Apple provides a bare essential but usable alternative the Correlation Meter, found under the Metering group. I make small changes and repeat as many times as necessary.ДЄny result higher with than +70 is acceptable, I strive though for an average of +80 or higher.ДЄdditionally to the phase-meter, the 2CAudio Vector displays a visual spatial meter, a long-term average level, and panning meters. Possibly, I need to adjust the angle of the microphone(s). If needed, I move one of the microphones a centimetre or two, closer or further away. After finding the desired positions of the guitar(ist) and microphones, I make the first test recordings, then I immediately load the 2CAudio Vector plugin to check for any phase issues. Phase problems can be fixed during mixing by aligning the offending tracks, but it's always preferable to take the extra time and correct this when setting up the microphones. Cancellations and comb filtering can potentially strip fundamental frequencies from our recording, leaving the recorded guitar sound thin and weak. When these differences are augmented to a greater degree, phasing occurs and has a noticeable influence on the sound quality of our recordings. Not dissimilar to how our ears and brains perceive and interpret the world around us. Combined with additional waves that reflect on the walls and other objects around us, all with small but not insignificant delays, these slight differences help to create the stereo effect that we experience. This attribute is not entirely undesirable as the sound begins its journey from the plucked strings and the vibrations of the top of the guitar, our notes travel as sound waves towards the microphones and reach them at slightly different times. Phasing occurs when the wave shapes of two or more microphones are not perfectly aligned in the time domain. Most of the stereo microphone techniques require the microphones to be placed at some distance with each other, and the more microphones you use, the easier it gets to face phasing problems.

The classical guitar is a rich and complex-sounding instrument, and as one, it can only be fully appreciated when recorded in stereo. Here are the three most essential plugins for the classical guitar: Phase Metering with the 2CAudio Vector There are just a few of them that I use every day and consider to be crucial for my workflow. We don't need to buy expensive and bulky hardware equalizers and reverb units anymore.ДЄlbeit the plethora of plugins, I adopt a minimal approach. This democratisation of music production brought an abundance of plugins plugins that we can use to shape our music in any shape or form we can imagine.